Last year when I resigned my stable job to focus in finishing my PhD about Artificial Intelligence I was looked with an staring glance by my coworkers who thought I was trying to accomplish something impossible… It’s no wonder that some people can’t imagine that synthetic creative thinking might be achieved with the current developments in Cognitive Computing. As […]Read More My PhD in Artificial Intelligence is on the right track!
AusArt, the journal on research in contemporary art from a multidisciplinary perspective, has published my paper “A critique of contemporary artificial intelligence art: Who is Edmond de Belamy?“. This academic magazine, published by the Fine Arts University of the Basque Country in the city if Bilbao, is an open-access publication with a JCR quartile of […]Read More Article published in AusArt Magazine.
Inspired by the work of sociologist Richard Sennet, I’ll try to explain my approach to craftsmanship in contemporary use of digital tools, organizing work cyberspace, and thinking about inmaterial relationships with computer networks… In 1986 for my 10th birthday my parents gave me a Spectrum 48k computer and I spent hours and hours in my bedroom […]Read More Craftsmanship in web & UX design…
Since a very young age I realized that art, design, and technology help us envision and build alternative worlds… That’s why these last 25 years I have worked for different companies and collaborated as a freelance artist and designer with different projects and businesses. But in 2017 I made a drastic decision and resigned my stable job […]Read More GALAPAGOS Studio is here!
I have written many times about Minimalism which describes movements in various forms of art and design where the work is set out to expose the essence through eliminating all non-essential forms, features or concepts. When some months ago I heard about Digital Minimalism I decided to learn more about this philosophy, created by Cal Newport, […]Read More Becoming a digital minimalist…
“I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us, which can mold us, but which can also be affected by us. A balance must be established between these two worlds—the one inside us and the one outside us”, Henri Cartier-Bresson. For many […]Read More Definitive Instant: in love with photography.
Not only we need cultural artifacts as a critique of industrialized use of Artificial Intelligence, but also a strict criteria in order to review contemporary art made with Machine Learning techniques… Those that argue against the potential for Computational Creativity believe that “simulating artistic techniques means also simulating human thinking and reasoning” (…) and conclude that “this […]Read More A critique of contemporary AI art.
“Arts-based research” means that the investigator uses his own artistic expression as means of enquiry (“artistic knowing”) or as an action-oriented research that aims a “change through art”. This type of exploration carried out by artists, designers, curators, architects, writers and musicians contributes new concepts, methods and models in order to produce new and original […]Read More Machine Learning Art as Scientific Research.
Edmond de Belamy is a 2018 painting created using a type of Artificial Intelligence algorithms called Generative Adversarial Networks. The work which is part of a series of images titled La Famille de Belamy -made by french collective Obvious– was expected to be sold for $7,000-$10,000 at Christie’s auction house in New York, however the painting […]Read More Who is Edmond de Belamy?
The Bussiness Dictionary defines “creative thinking” as a way of looking at problems or situations from a fresh perspective that suggests unorthodox solutions. Many defend that this domain is exclusive for humans, specially with he increasing fear of automated machines taking over many jobs, and that might be why many people look at me with […]Read More Making machines think creatively.