Computational aesthetics is a subfield of Artificial Intelligence, concerned with the computational assessment of beauty in domains of human creative expression which bridges science and art. As an emerging and new interdisciplinary field, the seed of today’s Computational Aesthetics can be traced as far back as 1928, when American mathematician George David Birkhoff proposed the […]Read More Computational Aesthetics: the beholder needs eyes?
“Money is the barometer of a society’s virtue. When you see that trading is done, not by consent, but by compulsion–when you see that in order to produce, you need to obtain permission from men who produce nothing–when you see that money is flowing to those who deal, not in goods, but in favors–when you […]Read More Money is the barometer…
“Natural science is concerned with the necessary, with how things are, whereas design is concerned with the contingent, with how things might be”, Herbert Simmon (1969). The field of User Experience Design (UXD) is a conceptual discipline focused on the interaction between human users, artifacts, and their contextual environments. So the main focus of this […]Read More Designing human cognitive experiences.
“Arts-based research” means that the investigator uses his own artistic expression as means of enquiry (“artistic knowing”) or as an action-oriented research that aims a “change through art”. This type of exploration carried out by artists, designers, curators, architects, writers and musicians contributes new concepts, methods and models in order to produce new and original […]Read More Machine Learning Art as Scientific Research.
The practice of skateboarding helps rethink the environment of the user through the opportunities found in the urban context, which in consequence helps redefine his/her life. As philosopher Daniel Dennet writes in his last book “From bacteria to Bach and back” our brains are control centers for dealing with the the affordances (opportunities and risks) of our […]Read More Embodied Cognition through Skateboarding.
Neuroculture is a new research field tying to build an unified theory of knowledge and in order to overcome the traditional division of the worlds of science and humanities based on the idea that both are generated through the human brain. According to spanish neuroscientist Francisco Mora we are at the edge of a change […]Read More Neuroscience for a new cultural revolution.
The question of to what degree algorithms are tools, as opposed to active collaborators, is a very interesting debate in which the artists can contribute interesting reflections. Fanboys of Frankfurt School of critical theory may argue -in a clear romantic stance- that modern means of artistic production and reproduction like photography and video destroyed the aesthetic, […]Read More Autonomous Artificial Artists.