The question of to what degree algorithms are tools, as opposed to active collaborators, is a very interesting debate in which the artists can contribute interesting reflections. Fanboys of Frankfurt School of critical theory may argue -in a clear romantic stance- that modern means of artistic production and reproduction like photography and video destroyed the aesthetic, […]Read More Autonomous Artificial Artists.
Architect and designer Neri Oxman proposes in her “Krebs Cycle of Creaivity” a map for four domains of creative exploration—Science, Engineering, Design and Art—in an attempt to represent the antidisciplinary hypothesis: knowledge can no longer produced within, disciplinary boundaries, but is entirely entangled. Inspired by the philosophical work of designer John Maeda this circular approach […]Read More Antidisciplinary Attitude is the Way.
Transhumanists advocate the improvement of human capacities through advanced technology. Not just technology as in gadgets you can buy in your local shopping mall, but technology in the grander sense of strategies for eliminating disease, helping the world’s poorest, improving quality of life and social interconnectedness… Transhumanists tend to take a longer-than-average view of technological […]Read More Top transhumanist tech.
Cybernetic Serendipity was a pioneering international exhibition held in London devoted to the relationship between the arts and new technology. Mounted at the Institute of Contemporary Arts in the summer of 1968 this cultural event dealt with the relationship of the computer and the arts. It was the first exhibition to attempt to demonstrate all […]Read More Cybernetic Serendipity.
“I like to think (it has to be!) of a cybernetic ecology where we are free of our labors and joined back to nature, returned to our mammal brothers and sisters, and all watched over by machines of loving grace”. Excerpt from All Watched Over by Machines of Loving Grace by Richard Brautigan (1967) *(Picture: Longnow.org).Read More Machines of Loving Grace.