The question of to what degree algorithms are tools, as opposed to active collaborators, is a very interesting debate in which the artists can contribute interesting reflections. Fanboys of Frankfurt School of critical theory may argue -in a clear romantic stance- that modern means of artistic production and reproduction like photography and video destroyed the aesthetic, […]Read More Autonomous Artificial Artists.
The production and use of technologies as an extension of the human condition has helped us not only to dominate our natural environment, but to know ourselves better as a biological species. Therefore research in Artificial Intelligence is a fertile field to generate new forms of scientific knowledge, as well as for the production of […]Read More Artificial Intelligence: Science or Alchemy?
Last year when I resigned my stable job to focus in finishing my PhD about Artificial Intelligence I was looked with an staring glance by my coworkers who thought I was trying to accomplish something impossible… It’s no wonder that some people can’t imagine that synthetic creative thinking might be achieved with the current developments in Cognitive Computing. As […]Read More My PhD in Artificial Intelligence is on the right track!
Edmond de Belamy is a 2018 painting created using a type of Artificial Intelligence algorithms called Generative Adversarial Networks. The work which is part of a series of images titled La Famille de Belamy -made by french collective Obvious– was expected to be sold for $7,000-$10,000 at Christie’s auction house in New York, however the painting […]Read More Who is Edmond de Bellamy?
Recently I wrote about Generative Adversarial Networks, a revolutionary class of AI algorithms used in unsupervised Machine Learning, and their importat relation with the research in Computational Creativity. This type of framework for the design of Artificial Intelligences was invented by Ian Goodfellow in 2014. The system consist of one network that generates new data after learning from a training […]Read More Machine Learning as Art Practice.