Machine Learning and Abstract Art: a Systems Neuroscience approach to Artificial Creativity.

Today I would like to share my master’s final thesis (based on a theoretical-practical investigation) about the relationship of Art and Machine Learning… Since the human mind and therefore our artistic processes are intrinsic parts of biological matter, a Neuroscience inspired approach to Artificial Intelligence may be a practical way to build synthetic minds and […]

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HOLOBIONTia VR expo online now!

For the last couple of years, I have been doing a master’s degree in philosophy and science for which I have carried out a final thesis (based on a theoretical-practical investigation) about the relationship of Art and Machine Learning. Since the human mind and therefore our artistic processes are intrinsic parts of biological matter, my hypothesis is […]

Read More HOLOBIONTia VR expo online now!

Article published in AusArt Magazine.

AusArt, the journal on research in contemporary art from a multidisciplinary perspective, has published my paper “A critique of contemporary artificial intelligence art: Who is Edmond de Belamy?“. This academic magazine, published by the Fine Arts University of the Basque Country in the city if Bilbao, is an open-access publication with a JCR quartile of […]

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A critique of contemporary AI art.

Not only we need cultural artifacts as a critique of industrialized use of Artificial Intelligence, but also a strict criteria in order to review contemporary art made with Machine Learning techniques… Those that argue against the potential for Computational Creativity believe that “simulating artistic techniques means also simulating human thinking and reasoning” (…) and  conclude that “this […]

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Computational Aesthetics: the beholder needs eyes?

Computational aesthetics is a subfield of Artificial Intelligence, concerned with the computational assessment of beauty in domains of human creative expression  which bridges science and art. As an emerging and new interdisciplinary field, the seed of today’s Computational Aesthetics can be traced as far back as 1928, when American mathematician George David Birkhoff proposed the […]

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Autonomous Artificial Artists.

The question of to what degree algorithms are tools, as opposed to active collaborators, is a very interesting debate in which the artists can contribute interesting reflections. Fanboys of Frankfurt School of critical theory may argue -in a clear romantic stance- that modern means of artistic production and reproduction like photography and video destroyed the […]

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