A critique of contemporary AI art.

Not only we need cultural artifacts as a critique of industrialized use of Artificial Intelligence, but also a strict criteria in order to review contemporary art made with Machine Learning techniques… Those that argue against the potential for Computational Creativity believe that “simulating artistic techniques means also simulating human thinking and reasoning” (…) and  conclude that “this […]

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Designing human cognitive experiences.

“Natural science is concerned with the necessary, with how things are, whereas design is concerned with the contingent, with how things might be”, Herbert Simmon (1969). The field of User Experience Design (UXD) is a conceptual discipline focused on the interaction between human users, artifacts, and their contextual environments. So the main focus of this […]

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The minimum of operating means.

The early 1960s brought about a significant shift in western art, largely in reaction to the critical and popular success of the highly personal and expressive painterly gestures of Abstract Expressionism. Minimalist artists, for example, produced pared-down three-dimensional objects that have no resemblance to any real objects. Heavily influenced by the Dutch De Stijl group, the Russian Constructivists and […]

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