According to architect Neri Oxman the antidisciplinary hypothesis states that knowledge can no longer be produced within disciplinary boundaries, but is entirely entangled. According to Joichi Ito, director of MIT Media Lab, by picking up where cybernetics left off and by redirecting the development of modern design and science to an antidisciplinary approach a new kind […]Read More An antidisciplinary approach to AI art.
According to cultural critic and filmmaker Michael Betancourt we live in the New Aesthetic era, a new conceptual framework that talks about the way in which the digital universe and the internet interact with the physical world. Based on the relationship between production and human control described by Karl Marx, the machines that we currently […]Read More Did Marx Dream of Artificial Intelligence?
Not only we need cultural artifacts as a critique of industrialized use of Artificial Intelligence, but also a strict criteria in order to review contemporary art made with Machine Learning techniques… Those that argue against the potential for Computational Creativity believe that “simulating artistic techniques means also simulating human thinking and reasoning” (…) and conclude that “this […]Read More A critique of contemporary AI art.
When I was a child I developed a strong love for nature while reading my father’s old biology books from his school period during fascist dictatorship in Spain and after spending countless hours during the weekends in my grandparents country house in the basque mountains. As I grew older and started thinking about a college degree, my […]Read More Art for an ecological revolution!
Although some people see AI as a simply tool that artists can use to augment and enhance their pieces, some other as me consider algorithms as a partner during the creative process. Artisans may have thought that there was no avenue for machines to take over their ethereal reins since something soulless and emotionless do […]Read More Artificial Intelligence: a revolution in the art world.
The question of to what degree algorithms are tools, as opposed to active collaborators, is a very interesting debate in which the artists can contribute interesting reflections. Fanboys of Frankfurt School of critical theory may argue -in a clear romantic stance- that modern means of artistic production and reproduction like photography and video destroyed the […]Read More Autonomous Artificial Artists.
Sophia is a humanoid robot developed by Hanson Robotics, a Hong Kong company, which has been designed to learn and adapt to human behavior and work with humans. In October 2017 the government of Saudi Arabia made her a citizen, thus being the first robot with citizenship of a country. However, many people on social […]Read More Robotic citizenship is coming!?!
Computational Creativity is a new academic field devoted to the study and modeling of computational processes that achieve creative tasks. Its main duties are the study of computational models of (human) creativity, designing artificially creative systems, and also to deploy computational systems for supporting creativity. Understanding brain processes behind creativity and modeling them using computational means […]Read More The machine will have the idea…
Descartes once described the human body as a “fleshy machine” and today’s transhumanists would likely agree. Philosopher Nick Bostrom writes that as we seek to peer farther into posthumanity our ability to concretely imagine what it might be like to have such augmented thoughts and experiences cannot be though or experienced with our current capacities. […]Read More The Augmented Posthuman Body.
It is undeniable that we are currently witnessing a new digital revolution in production systems as a result of automation with the use of Autonomous Robots and Artificial Intelligence systems. The loss of human work positions impacts on the financing system of the Welfare State -retirement, health care, public and universal education- for which a […]Read More European robots should not be taxed!