“Human consciousness is unlike all other varieties of animal consciousness in that it is a product in large part of cultural evolution . . . creating thereby a cognitive architecture unlike the ‘bottom-up’ minds of animals. . . . [T]his architecture furnishes each of us with . . . a user-illusion”. As philosopher Daniel Dennett […]Read More Human consciousness is an illusion.
“The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success of Art. Only a few hundred people in the world have any real say. When you go to an art gallery you are simply a tourist looking at the trophy cabinet of […]Read More In an art gallery you are simply a tourist…
“Why is it so much harder to appreciate that thinking is an aspect of the brain, that also could be described, in principle, in terms of the self-same physical laws? The answer is that minds do not seem physical to us because we know so little of the processes inside brains. (…) A related reason […]Read More Minds are simply what brains do.
Computational Creativity is a new academic field devoted to the study and modeling of computational processes that achieve creative tasks. Its main duties are the study of computational models of (human) creativity, designing artificially creative systems, and also to deploy computational systems for supporting creativity. Understanding brain processes behind creativity and modeling them using computational means […]Read More The machine will have the idea…
“You could argue that any group of people — like a company — is essentially a cybernetic collective of human people and machines. That’s what a company is. And then there are different levels of complexity in the way these companies are formed and then there is a collective AI in Google search, where we […]Read More A cybernetic collective of human people and machines.
“This conservatory function of the Museum, which reached its highest point during the 19th century with Romanticism, is still generally accepted today, adding yet another paralysing factor. In fact nothing is more readily preserved than a work of art. (…) The Museum not only preserves and therefore perpetuates, but also collects. The aesthethic role of […]Read More The Museum is an Asylum.
The early 1960s brought about a significant shift in western art, largely in reaction to the critical and popular success of the highly personal and expressive painterly gestures of Abstract Expressionism. Minimalist artists, for example, produced pared-down three-dimensional objects that have no resemblance to any real objects. Heavily influenced by the Dutch De Stijl group, the Russian Constructivists and […]Read More The minimum of operating means.